ac186bab57 Retrieved 2009-12-13. Why this streamlining? It is because once again the narrative is ballasted elsewhere, and first of all in the decision that consists in revealing, without any special ceremony, that Irene is no phantom: she simply wasnt dead. But it has perhaps been insufficiently remarked that these stories are all the more capable of circulating; all the more bewitching, because they carry a weight, a generous transfer of matter. .. The narrative is henceforth self-sufficient; it no longer needs exterior recommendations. Critical reception[edit]. Volver received a standing ovation when it was screened as part of the official selection at the 2006 Cannes Film Festival, and won the Best Screenplay award as well as the award for Best Actress which was shared by the six stars of the film.[1].
See more Connections Features Bellissima(1952) See more Soundtracks Bawaddaa'k by Hussain Aljassmi (as Husein Al Jassmi) Produced by Rotana Khalid Al Khaiat/Fahd Al Jassmi (p)2006 Rotana See more Frequently Asked Questions Q: How does it end? Q: Was Irene a ghost? Q: What does the title mean? See more (Spoiler Alert!) User Reviews Almodovar, but no carnal episodes 17 July 2006 by Anton Nossik (antonnossik.com) (Moscow, Russia) – See all my reviews An extremely kind, compassionate and tender film noir, from Spain's most internationally acclaimed filmmaker, might lack some of the suspense his other movies are famous for, but still it keeps the spectator thrilled and anxious until the very last moments. There remains one last element that counts in this change in direction: it is the nearly complete vacation given to literary and cinematographic citations of which until now Almodvars films were crammed with. ^ Volver at Rotten Tomatoes. Metacritic. The ashes that had been presumed to be Irene's were, in fact, the ashes of Agustina's mother, the woman with whom Irene's husband was having an affair. Full Review… March 30, 2007 James Sanford Kalamazoo Gazette .a knowing treatise on the currents that run between mothers and daughters. Cineuropa.org. An Amazon.com company. Carmen Maura, the star of Almodvar's debut Pepi, Luci, Bom (1980) and five additional films with the director, was the first to be cast in the film alongside Cruz.[5] Her engagement marked her first collaboration with Almodvar after a period of 18 years and a reported fallout during the production of Women on the Verge of a Nervous Breakdown (1989).[7] Maura commented on the "borderline character" of Irene as a "very complicated [role to play]."[7].
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